Tag Archives: fail
The Oscar presentation in 1989 – 30 years ago! – was a watershed in bad taste. I usually like things that are tacky and overdone, but this just stretched all credulity. It takes something special to drive Julie Andrews to trash you to the press.
We’re going to be taking a look at the two god-awful numbers of the evening: The infamous opening number starring Snow White and Rob Lowe, and the lesser-known “Stars of Tomorrow” number which is somehow just as bad on a smaller budget.
Up first: The opening number!
Note: The videos and images are all taken from a second-generation copy of a 30-year-old VHS tape. I’m not apologizing, because all considering, they look good.
Soak it in now, in case the Academy gets it deleted AGAIN.
So, you’ve watched the ’89 opening number. Good for you. You might wonder: What’s happened to these people in 30 years? Has Rob Lowe sung since? Are any of the Cocoanut Grove folks still with us? Want to know who behind the scenes is to blame for this catastrophe? Read on!
Now that your eye bleach has had a nice time to soak in from the Snow White number, I figure you’re ready for the even more bewildering number from the Oscars 30 years ago.
Oscar Stars of Tomorrow!
Part 1 (mandatory):
Nineteen of tomorrow’s stars sing and dance for, like, 17 hours straight. Featuring two Coreys, a TV doctor, a talk show host, and an actually talented person. Plus 14 other people. Grief counselors will be available if you make it through the whole thing.
Obviously, since they’d wasted so much time on the opening number, the Oscar 1989 producers were going to keep the rest of the show lean and mean, right? Hell no! Who wants to find out the winners when we can spend 12 long minutes on the up-and-comers of today vainly trying to sing and dance?
Two Hollywood legends tell us we’ll be seeing a lot of these faces, but how right were they?
Sure, the Rob Lowe/Snow White opening number is awful to watch on TV, but imagine having to sit through it in person! Let’s take a look at some of the brave celebrities who endured.
So many things make for a terrible musical number. Get ready to see all of them.
There were five production numbers in the 1993 Oscars, mostly for the best original song nominees, and ranging from “Eh” to “My eyes are melting! And so is my brain!” Charming Disney songs are ruined! Icons are embarrassed! Sailors prance! Keep reading to see the insanity realized!
There have been about 30 film adaptations of “The Three Musketeers” since film was invented. But you know what all of them, as well as Dumas’ beloved novel were all missing? Airships. Finally, this film has rectified this horrible oversight.
This movie is a damn mess, but the kind of unbelievably wacky mess that I have to encourage people to see it. You will sit confused and boggled people spent money to make it.
They stick to the bare basics of the classic story for the most part, but despite those 30 other adaptations, figure it still needed jazzing up with even more action that is all ridiculously modern and piled with bad CGI. For instance, there’s a scene where Milady DeWinter (Milla Jovovich) strips off her hoop skirts to do a “Mission: Impossible”-style wire stunt into the palace, and finds a hidden vault strung with invisible razor wire that look like freakin’ lasers that she has to jump and shimmy through. How are these wires de-activated when a non-thief needs to get to the jewels inside? I’m guessing Ye Olde Retinal Scan.
I’m not even going to bother talking about the four heroes, because the three musketeers all suffer from total lack of character. Athos and Aramis look and act identical – I often couldn’t tell them apart. (You can tell which one’s Porthos because he talks about eating and drinking more.) D’Artagnan (the kid from ‘Percy Jackson’) is beyond annoying. He’s not so much a brash young man as Shia LeBeouf with PMS. It’s been a long time since I rooted more for the bad guys, which isn’t a shock considering they’re Mads Mikkelsen and Christoph Goddamn Waltz. They’re also the two who retain their dignity.
Then there’s the airships. The film opens with the musketeers breaking into a vault in Venice housing the works of, duh, Leonardo Da Vinci, because he’s the only person who ever invented anything. Despite the room being filled with thousands of priceless manuscripts, they steal just the airship one and flood the place. Jerks. Then the evil Buckingham (Orlando Bloom) steals it from them, and we fast forward to a year later and the regular ol’ story starts.
I don’t know how to feel about Orlando Bloom’s performance, because it is bizarre. On the one hand, I feel like he gets that this movie’s a joke and dials the foppishness to 11, prancing and preening with Gary Glitter hair. On the other hand, he’s not a convincing villain in a movie already brimming with them.
So there’s the usual musketeering and such and Christoph Waltz makes some speeches about his evil plans that never make much sense, until finally the heroes have to steal some jewels back from Buckingham, because if they don’t, it’ll start a war between France and England. To accomplish this, they steal the airship Buckingham’s now built – which looks like a galleon attached to a blimp – and use its onboard flamethrower(!) and Gattling gun(!!) to attack the Tower of London. Yep, that’ll stop that war alright.
Then there’s an airship battle, with cannons and guns and that rips of “Wrath of Khan” of all things. The stupid escalates at a furious pace as we see the airships are so precise and maneuverable four people can crew them just fine, and they can come up alongside each other at 10,000 feet up and push a gang-plank between them and people can walk across it without much wind or swaying or whatever. Then they crash them into Notre Dame.
I really want to know who exactly the filmmakers thought they were making this movie for, because I can’t think of the market segment that was crying out for this except fans of the ridiculous.
A definite pick for a fun night of jeering with your friends.
Every Sunday, my buddy Toby and I get together and watch a terrible movie. It’s about time for me to share the suffering, so I’m going to start posting brief reviews of the crap we’ve watched. I know I should have done this years ago, but it wasn’t until last night’s movie – “Twilight: Breaking Dawn Part 1” – that I found myself bubbling with so much anger and so much confusion I felt like if I didn’t get it out of me I’d die a gruesome death (Hey! Just like in the movie! I can relate to Bella after all!)
It is a massive understatement to say I am not a Twilight fan. The story is perfectly crafted to feed into the worst instincts of adolescent girls, and I worry about what they’re taking away from it. I probably won’t review the first three movies, which we watched on Bad Movie Sundays past, because I have so little to say about 1 and 3, and so much burning feminist rage at 2. Plus, I think I cover a lot of what I’d say below. This movie baffles me. I can’t remember the last time so little happening raised so many questions.
100 or so Questions about Twilight: Breaking Dawn Part 1
- Why doesn’t anyone have a problem with teens getting married?
- Why doesn’t Bella’s mom think anything’s weird about the Cullens going through high school 50 times?
- I still don’t get why they’d go to school at all. Why bother? It just attracts unwanted attention to them and puts them in contact with non-vampires who they promptly get into trouble.
- Doesn’t Mom have a problem with her daughter marrying a guy Mom’s never met? My mom would go ballistic, call the cops, say I’d been brainwashed, and get arrested for abusing 911 if I married someone she never met and I’m 35.
- Wait, did they send her dad an invitation, even though he lives in the same house as her?
- Did she even graduate high school?
- Does college not exist in their universe? No one has said a single thing about it EVER. Marrying Edward and going to college aren’t mutually exclusive. I guess “wife” is her job now. Forever.
- What denomination was the minister who married them? Do the vampires go to church regularly? Do they know that minister? Does the minister know they’re blood-sucking demons outside God’s natural order?
- Isn’t her dad worried about this considering he has been privy to hinky stuff Edward is apparently involved in? Like stalking his daughter?
- Why does no one notice his family are vampires? Or at least “different”?
- Doesn’t anyone find adopted siblings dating really creepy? Do the Cullens turn mortals they’ve fallen in love with into vampires, or are these vampire-arranged-marriages?
- Why don’t the vampires sparkle anymore?
- Why do vampires hold a wedding in the daytime?
- Once Bella’s a vampire, is she going to have to go back to high school too? Because fuck that.
- What’s a vampire bachelor party like?